Invincible

Invincible

Invincible

For such a boldly titled and apparently driven attempt to reinstate Michael Jackson at the center of the pop world, Invincible is a listless thing. Split between scratchy funk workouts and midtempo ballads that might have appeared as Bad B-sides, the album plays on and on while never seriously promoting dancing or romancing. Its handful of weird moments–the resurrection-by-tape of Biggie Smalls on the bridge of the title track, for instance–are hardly large-scale bizarre like the first disc of HIStory. The title track turns out to be hardly the rampant egofest you’d imagine; instead, its subject is a female whom Jackson cheers on. Likewise, the most ear-catching moments of the “comeback” single “You Rock My World” come with Chris Tucker’s jivey introduction. Despite a debt to “Payback”-era James Brown, “Rock” floats away like steam midway through. It’s almost a relief when the old self-regard turns up: on the growling “Privacy,” Jackson rants about muckrakers “stalking” him in search of “the stories you need to bury me,” all this long after foundering divas and troubled boy-group members have replaced him on tabloid covers. The man may occasionally break away from the mirror but seems unsure where else to find inspiration.

Review Invincible

So this is Michael’s first real studio album since 1995’s HISTORY 2 CD set (the second disc was a new album). We saw BLOOD ON THE DANCEFLOOR in 1997, but basically that was a remixed HISTORY with a few new tracks. So here it is, 6 years fans have been waiting. A few questions come to mind. 1. Was it worth the wait? 2. Will Michael make a comeback? 3. Is the album good? I can honestly answer all three questions with a resounding YES!

INVINCIBLE is a 16 track, 77 minute album, filled with top production and innovation in music. Michael has once again created a new sound, this time by working with hot producer Rodney Jerkins, other producers include Teddy Riley, Dr. Freeze, Andre Harris, Babyface, and R. Kelly. Together, Michael has created a fresh new sound for R&B, and I’m sure others will follow his lead here.

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